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The Cyber-shot DSC-RX10 IV from Sony is a compact solution for multimedia image-makers. Featuring an updated 20.1MP 1" Exmor RS BSI CMOS sensor and BIONZ X image processor, the RX10 IV is capable of up to 24 fps shooting at ISO 12800, as well as recording UHD 4K/30p or Full HD 1080/120p video. The sensor's back-illuminated and stacked technologies afford a high degree of image quality with notable clarity and reduced noise to suit working in challenging lighting conditions.

The Sonnar T* FE 55mm f/1.8 ZA Lens offers excellent resolution and a fast f/1.8 aperture for photographers looking for a high-performing normal-length prime. By using three aspherical elements and Zeiss's legendary T* anti-reflective coating, this lens exhibits an absolute minimum of aberrations and flare.

The White Canon EOS M50 Mark II is a versatile multimedia camera with a well-rounded photo and video feature set. Sporting improved focusing, recording, and sharing capabilities, the M50 Mark II still revolves around the proven 24.1MP APS-C CMOS sensor and DIGIC 8 image processor, which enables a quick 10 fps shooting rate, a native sensitivity range of ISO 100-25600, and UHD 4K video recording at 23.

The Sigma 85mm f/1.4 DG DN is an Art-series prime characterized by its advanced and updated optical design, sleek profile, and bright design. The optical layout incorporates a series of low dispersion, aspherical, and high refractive index elements and its large-diameter design achieves a notable degree of clarity and sharpness with well-controlled distortion and aberrations.

The EF 70-200mm f/2.8L IS III USM from Canon is an L-series telephoto zoom distinguished by its bright design and advanced optics. Ideal for a variety of subjects ranging from portraiture to sports, the fast constant f/2.8 maximum aperture excels in difficult lighting conditions and also offers increased control over depth of field for isolating subjects.

The FE 24-105mm f/4 G OSS Lens from Sony is a wide-angle to short-telephoto zoom designed for E-mount mirrorless cameras. Complementing the useful range of focal lengths is a constant f/4 maximum aperture, which maintains consistent performance throughout the zoom range and also affords increased control over the depth of field.

The Alpha a7R IIIA Mirrorless Digital Camera from Sony is a versatile, high-performance camera characterized by not only its resolution but by its multimedia versatility. This updated Fast Hybrid AF System employs a combination of 399 phase-detection points and 425 contrast-detection areas for quicker acquirement of focus in a variety of lighting conditions, and also maintains focus on subjects more effectively.

The RF 15-35mm f/2.8L IS USM from Canon is also characterized by its bright f/2.8 constant maximum aperture. This bright design enables working in available light conditions and also affords greater control over the depth of field. An Air-Sphere coating has also been applied to reduce flare and ghosting for improved contrast and color fidelity when working in bright conditions.

The black FUJIFILM X100V is the fifth generation of the X100 series, blending impressive imaging capabilities, a distinct design with an apt prime wide-angle lens, and a flexible feature-set to suit an array of shooting needs. Utilizing a proven and well-regarded APS-C-format 26.1MP X-Trans CMOS 4 sensor, the X100V is capable of high-resolution recording along with support for DCI/UHD 4K video, sensitivity from ISO 160-12800, and continuous shooting up to 11 fps with the mechanical shutter.

The FE 14mm f/1.8 GM from Sony is a fast, versatile lens well-suited to landscape, natural, architectural, and astrophotography applications. Its extremely wide-but-usable perspective is complemented by the f/1.8 maximum aperture for excellent performance in low-light conditions and increased control over depth of field.

The M.Zuiko Digital ED 12-40mm f/2.8 PRO from Olympus is a wide-to-portrait-length 24-80mm equivalent lens for Micro Four Thirds mirrorless cameras. Its sophisticated optical design, which includes a variety of aspherical, low dispersion, and high refractive index elements, reduces both chromatic and spherical aberrations throughout the zoom range for notable clarity, sharpness, and color accuracy.

The Tamron 35-150mm f/2-2.8 Di III VXD is an advanced all-in-one zoom characterized by its wide to medium-telephoto range and its bright maximum aperture. Boasting a maximum wide-open aperture of f/2-2.8 means you can comfortably photograph in available light conditions while also controlling depth of field and isolating your subject matter with selective focus.

The FUJIFILM X-H2S is a multimedia mirrorless camera featuring a newly developed X-Trans stacked sensor, refined AF and subject detection, and impressive 6.2K video recording. Topping the X System, this camera mixes the intuitiveness, design, and image quality FUJIFILM is known for with a fresh, speedy approach to video and continuous shooting applications.

The Olympus OM-D E-M1 Mark III is a well-rounded Micro Four Thirds mirrorless camera suitable for a variety of stills and video needs. Featuring a 20.4MP Live MOS sensor and an updated TruePic IX image processor, the camera is characterized by its quick continuous shooting, up to 60 fps with an electronic shutter and 15 fps with a mechanical shutter, as well as DCI and UHD 4K video recording.

The Sony FE 24-70mm f/2.8 GM II is not only smaller and lighter than the previous generation, it also features a variety of optical, focusing, and handling upgrades, catering to both photo and video applications, that make this the most well-rounded G Master zoom to date.Bright f/2.8 constant aperture allows users to capture images in dim lighting conditions and with a shallow depth of field.

The Nikon AF-S NIKKOR 28mm f/1.8G mixes a comfortable, broad field of view with a relatively compact design. A bright f/1.8 maximum aperture excels in difficult light conditions and also affords control over depth of field for isolating subjects. The optical design includes a pair of aspherical elements, which help to suppress distortion and spherical aberrations in order to realize high sharpness, even illumination, and accurate rendering.

The PC NIKKOR 19mm f/4E ED from Nikon allows you to impart both tilt and shift movements to control focus and perspective, as well as apply the movements independently for more creative flexibility. Up to +/- 7.5° of tilt is possible, for focus control, and +/- 12mm of shift, to adjust perspective and composition, and tilt can be applied parallel or perpendicular to shift.

The Nikon NIKKOR Z 40mm f/2 is a versatile prime straddling wide-angle and normal fields of view and featuring a bright f/2 maximum aperture. The distinct focal length is wide enough for spontaneous shooting but still tight enough for portraiture and selective focus shooting.In terms of handling, a stepping motor AF system offers quiet and smooth focusing performance that benefits both stills and video capture and a programmable control ring can also be set for intuitive adjustment over a variety of camera and exposure settings.

The Canon RF 28-70mm f/2 L USM is a wide-angle to portrait-length lens distinguished by its impressively unique f/2 constant maximum aperture. This bright design yields excellent low-light performance along with enhanced control over depth of field for isolating subject matter.Additionally, unique to RF lenses, this 28-70mm incorporates a configurable Control Ring for intuitively adjusting exposure settings, including ISO, aperture, and exposure compensation, from the lens itself.

The EF 28mm f/2.8 IS USM Lens from Canon pairs the wide-angle focal length with sophisticated autofocus capabilities as well as image stabilization. The optical design utilizes one aspherical element to reduce spherical aberrations and distortion for high sharpness, and a Super Spectra coating has also been applied to suppress flare and ghosting for increased contrast and color accuracy.

The Canon EF 35mm f/1.4L II USM is a wide-angle L-series prime featuring a fast f/1.4 maximum aperture to suit working in difficult lighting conditions. Its optical design incorporates a Blue Spectrum Refractive Optics element; a specially developed element that helps to nearly eliminate chromatic aberrations and color fringing for notable clarity and color accuracy.

The EF 70-300mm f/4-5.6 IS II USM Lens from Canon is a flexible zoom well-suited for a variety of subjects, ranging from portraiture to wildlife. Similarly versatile, the lens utilizes NANO USM technology that combines a fast, stills-optimized ring-type Ultrasonic Motor and a smooth, silent video-optimized Stepping Motor for all-around focusing performance to benefit multimedia image-makers.

The EF 8-15mm f/4L Fisheye USM is a Canon L-series lens offering flexibility to a conventionally niche lens type. Capable of producing both circular and rectangular fisheye effects, this lens is characterized by its notable distortion and rounded image quality along with an immense 180° angle of view at the 8mm position.

The RF 5.2mm f/2.8 L Dual Fisheye 3D VR from Canon. Currently compatible with the EOS R5 Mirrorless Digital Camera, this L-series lens is the world's first digital interchangeable lens that can capture stereoscopic 3D 180° VR imagery to a single image sensor. This helps simplify your workflow by eliminating the need to sync and stitch multiple video files.

The FUJIFILM GF 100-200mm f/5.6 R LM OIS WR is a versatile zoom, well-suited for a variety of subjects from portraiture to landscapes. Offering a 79-158mm equivalent focal length, this lens is also characterized by its constant f/5.6 maximum aperture to maintain consistent brightness throughout the zoom range.

The AF NIKKOR 14mm f/2.8D ED from Nikon is characterized by its broad, dynamic field of view and a bright f/2.8 maximum aperture. Complementing the unique assets of the lens is a sound optical design, which includes one extra-low dispersion element and two aspherical elements to control chromatic and spherical aberrations for high sharpness and clarity.

The FUJIFILM XC 35mm f/2 is a 53mm-equivalent lens offering a natural, normal-length field of view with an especially portable design. The lens incorporates a pair of aspherical elements to reduce spherical aberrations and distortion in order to achieve high sharpness and accurate rendering. Prime normal-length lens is designed for APS-C-format FUJIFILM X-mount mirrorless cameras and provides a 53mm equivalent focal length.

The 16mm f/1.4 DC DN is part of Sigma's Contemporary series of lenses and is designed for use with FUJIFILM X-mount mirrorless cameras. Characterized by its bright f/1.4 maximum aperture, this lens is adept at working in low-light conditions and also affords increased control over depth of field for selective focus control.

A versatile zoom range in a compact package is the promise of the Canon RF-S 18-45mm f/4.5-6.3 IS STM Lens. Made specifically for Canon's APS-C-format R Series mirrorless line, it delivers a wide-angle to short telephoto equivalent zoom range of 29-72mm. Plus, a retractable design makes it ideal for everyday carry where you want to stuff the camera in a bag.

The powerful and versatile AF-S NIKKOR 200-400mm f/4G ED VR II captures amazing images in nearly any light, making it a perfect lens for serious sports and wildlife photographers.For professionals seeking the ultimate super-telephoto zoom lens, the AF-S NIKKOR 200-400mm f/4G ED VR II delivers unrivaled speed, consistency, low-light performance and image quality in the most demanding situations.